Born in 1959 and based in Miami, Didi transforms bronze, copper, and glass into luminous objects that blur the line between sculpture and light. Each work begins in his mind, taking form through hand-bent curves, reclaimed metals, and lenses reimagined as radiant fixtures. Ranging from four to eight feet and beyond, his pieces are monumental yet intimate—warm constellations of feminine energy.

His practice echoes the legacies of Italian modernist masters such as Gino Sarfatti, Angelo Lelli, and Max Ingrand, who shaped mid-century lighting into poetry of line and illumination. Yet Didi’s work moves beyond homage: he forges a language of his own, where every prototype is assembled, disassembled, perfected, and rebuilt. This process becomes a metaphor for maturity itself—falling apart, learning through failure, and emerging stronger, brighter, and more refined.

Bronze and copper are not only materials but metaphors: they absorb heat and give it back, just as his lights offer warmth to the spaces they inhabit. Sourced from construction sites, junkyards, and overlooked scraps, each fragment is reimagined into a singular piece—never mass-produced, always handmade. The imperfections of process often lead to revelations, proving that mistakes are not errors but thresholds to originality.
For Didi, light is elemental. Like fire, it is one of humanity’s first inventions, shaping who we are and how we live. His work channels that primal force, creating luminous presences that bring glow, warmth, and balance to homes, restaurants, hotels, and resorts across the globe.
Every object is a universe—unique, unrepeatable, alive.